
Lot ILeonardo da Vinci, 1452–1519
Vitruvian Man
c. 1490 · Pen and ink on paper · Gallerie dell'Accademia, Venice
The human body measured against the circle and the square — the proportions of the Roman architect Vitruvius, tested by hand.
A private collection · Lots I–VI
Masterpieces from Leonardo to Van Gogh — to be worn, not hung.
Chapter II · The Credo
Art transcends generations, because every one of us meets it through our own experience.
Chapter III
Painted letters: Vincent van Gogh, The Starry Night, 1889 (The Museum of Modern Art); Leonardo da Vinci, Vitruvian Man, c. 1490 (Gallerie dell’Accademia). Both public domain, via Wikimedia Commons.
Chapter IV · The Sale
6 pieces on view. Hover a frame to look closer.

Lot ILeonardo da Vinci, 1452–1519
c. 1490 · Pen and ink on paper · Gallerie dell'Accademia, Venice
The human body measured against the circle and the square — the proportions of the Roman architect Vitruvius, tested by hand.

Lot IIVincent van Gogh, 1853–1890
June 1889 · Oil on canvas · The Museum of Modern Art, New York
Painted from his window at Saint-Rémy before sunrise. The sky on the front; the painter himself on the back.

Lot IIISigned AH
The Madonna and Child in a field of flowers — mother and son, unhurried, in summer light.

Lot IVAfter Pablo Picasso, 1881–1973
A face in one unbroken line, in homage to the painter who founded Cubism with Georges Braque.

Lot VThe Posh Specter
There's no Earth without Art: the world engraved with a woman's face in its clouds.

Lot VIThe Posh Specter
A lone figure inside a wireframe world — the Vitruvian question, asked again.
Finale